We knew it was personal but felt it was more than worth shining a non-commercial spotlight on—first with the birth of the published “Echolilia” and then as prints on a wall at a gallery in North Beach for Taking Liberties, A Fine Art Exhibit.
Though confessing here, because we can, that we didn’t know when the art and the story would be made more public how it would ultimately affect those it touched along the way. But we can now say that there has been such outpouring of such heartfelt feedback by so many that have been enriched as a result of the story—that our return has been a near daily reminder that we as human beings were given a gift in the ability to emote. So we couldn’t be more proud to have participated in all that was and continues to be from promoting Timothy and Eli’s story; also reminding us at every turn that art, be it fine or commercial, quiet or loud, is around to give us some cause for pause.
